Wu Song (Chinese: 武松; pinyin: Wǔ Sōng), also known as Second Brother Wu (武二郎; Wǔ Èrláng), is a legendary hero recounted since the 13th century; and one of the well-known fictional characters in the Water Margin, one of the Four Great Classic Novels in Chinese literature.

Oct 3, 2021 · This is a full 60 Minute session of the 五鬆 · 5 Relaxation Methods, which are suitable for any Kung Fu, Qi Gong or Martial Art practitioners ️Continuous training of 五鬆 · Wu Song increases your...

Dec 22, 2021 · Wu Song is a legendary hero recounted since the 13th century; he is one of the well-known fictional characters in the Water Margins, also known as Outlaws of the Marsh, one of the four Great Classical Novels in Chinese literature. Wu Song was tall and good-looking with shining eyes, thick eyebrows, a muscular build, and an impressive bearing.

Mar 8, 2025 · The repeated struggles of the three "villains" in Song Jiang's heart give us a glimpse into the complexity of human nature; while Wu Song is consistent from beginning to end, allowing us to see the stalwart of faith.

Wu Song, the human hero of this tale, little attention has been given to his worthy opponent, the tiger. In this article the focus is on the King of Beasts, the Lord of the

Aug 11, 2015 · Wu Song is a major character in the Chinese classical novel Water Margin; his claim to fame is killing a tiger with his bare hands.

Wǔ Sōng (武松) was a hero in the Water Margin, one of the four most famous classical works of Chinese literature. He also appeared in Jin Ping Mei, a spinoff of Water Margin. He was famous for his slaying of the tiger with bare hands, and his avenging the murder of his older brother.

Chinese kung-fu master Wu Song has captured the world's attention with his mind-boggling demonstrations of unconventional talents. In a captivating video, Wu Song is seen pushing the tail of a venomous snake through his nostril and retrieving it from his mouth.

The Wu Song project is based on a collection of the tale of “Wu Song Fights the Tiger” found in a variety of versions in novel, drama and performed narrative arts. The overall aim of the project is to explore the interplay of oral and written culture in China.

For the last year Wu Song has taken refugee in the home of a rich and generous landlord, Chai Jin, because he has been involved in a case of murder, or so he thinks. News from home reveal that the person didn’t die after all, and Wu Song is eager to return home to see his elder brother, his only relative.