
VVV | New York: VVV, 1942–1944 | The Metropolitan Museum of Art
During World War II "VVV" was one of the few journals being published that was devoted to the continued dissemination of Surrealism. Published in New York from 1942 to 1944, the journal was edited by David Hare with the participation of André Breton, Marcel Duchamp, and Max Ernst.
VVV (magazine) - Wikipedia
Each edition focused on " poetry, plastic arts, anthropology, sociology, (and) psychology," and was lavishly illustrated by Surrealist artists, including Giorgio de Chirico, Roberto Matta and Yves Tanguy. The magazine was experimental in format and in content.
VVV - Index of Modernist Magazines
Jun 27, 2016 · Each issue’s cover art featured the magazine’s VVV logo along with colorful art. The first issue featured a drawing by Max Ernst; the second, an illustration by Marcel Duchamp; and the final, a design by Matta.
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VVV magazine (1942-44) | edited by David Hare with ... - C o c o s …
VVV was the product of leading Surrealists. The magazine was edited by David Hare in collaboration with Marcel Duchamp, André Breton, and Max Ernst. VVV’s editorial board also enlisted a number of associated thinkers and artists, including Aimé Césaire, Philip Lamantia, and Robert Motherwell.
VVV ART
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VVV (magazine) - The Art and Popular Culture Encyclopedia
VVV was a journal devoted to the dissemination of Surrealism, published in New York City from 1942 through 1944. Only three issues of VVV were ever produced. However, it provided an outlet for European Surrealist artists, temporarily displaced from their home countries by World War II, to communicate with American artists.
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The Magazine as surrealist object : VVV and the reanimation …
This thesis examines VVV, a surrealist review, commonly known as a “little magazine,” published in New York during World War II from 1942-44.
VVV Portfolio - MoMA
André Masson The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio 1942, published 1943
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