Aug 5, 2024 · This article just scratches the surface, but it covers the basics of log versus linear that I want every colorist to know when they’re going into a color grade. Log works well for perceptual field-based aesthetic adjustments, and linear works for …

Apr 24, 2018 · Linear and Logarithmic color spaces, the Yin and Yang of color. Let's dive right in and discuss why you should care about the differences between these two color spaces and how you should be using each one.

Jun 2, 2022 · Regarding log, what you said is a good summary. There are many flavors of log so some may expand (or sometimes reduce) dynamic range - it all depends on specifics of the hardware and how it’s implemented. But yes, generally log is …

Aug 3, 2023 · Log color profiles are designed to handle a broader dynamic range compared to standard color profiles, which are typically used for consumer-level content. This means that log profiles can capture more detail in both very bright and very dark areas of the scene.

6 days ago · As Sven mentioned linear light is exactly how the real world light behaves. Double the value == double the light. Why this behaves the same as offset in log is because a log encoding distributes the stops of light equally across the data range (minus the shadow/black part which typically has a toe).

May 22, 2017 · So you have to convert your elements to Log. We’re going to use a Rec. 709 color space (a color space created for televisions and computer monitors — usually the alternative to Log in digital cameras). Rec. 709 isn’t a completely …

The benefit of shooting in log is that your video files will have a higher dynamic range. Put simply, this means your camera will capture more detail in the bright and dark areas of your image than with a standard gamma curve. You also have more scope for color grading your video files in post-production. RAW vs. log

Jun 6, 2022 · “Does it have a LOG profile?” and “Can it shoot raw?”. They’re valid questions, but there are some pretty big differences between the two. In this video, the team at Syrp Lab take a deep dive into both to show how they differ and the potential problems you can run into.

Digital video cameras are now being built to encode an image using one of two different approaches: Log (or logarithmic) color, and Linear color. These can also be referred to as Log Gamma...

This video provides a comprehensive explanation of the differences between log and linear color spaces in video editing, focusing on their practical applications in DaVinci Resolve. The main theme is understanding when and why to use each space for optimal results.