Designed in 1976 by Giotto Stoppino, the Jot chair recalls the Bauhaus tradition with its metal frame and double saddle-hide upholstery.

Celebrating stainless steel in the Bauhaus tradition, the tubular chrome-framed Jot chair takes its swooping, balletic form into the contemporary era with a new version purified of any paint or dye that would hide the essence of its powerful metal and rawhide leather elements.

Celebrating stainless steel in the Bauhaus tradition, the tubular chrome-framed Jot chair takes its swooping, balletic form into the contemporary era with a new version purified of any paint or dye that would hide the essence of its powerful metal and rawhide leather elements.

Celebrating stainless steel in the Bauhaus tradition, the tubular chrome-framed Jot chair takes its swooping, balletic form into the contemporary era with a new version purified of any paint or dye that would hide the essence of its powerful metal and rawhide leather elements.

The JOT chair is one of the greatest expressions of this long design path between the 70s and 80s and achieves a perfect synthesis between form and function.

Kalkeriet Contemporary is pleased to present Jot by Giotto Stoppino for Acerbis. An iconic example of Giotto Stoppino’s masterful use of cantilevered chair styles and his exploratory method with materials.

ould hide the essence of its powerful metal and rawhide leather elements. An iconic example of Giotto Stoppino’s masterful u. th metal frame available in matt black nickel or chrome painted finishes. .

Chair with metal frame available in matt black nickel or chrome painted finishes.‎ Double saddle-hide upholstery in black, dark grey, turtledove and natural.

Celebrating steel in full coherence with the Bauhaus tradition, the Jot chair stands out as a timeless design element, capable of dialoguing with the contemporary through a new version that enhances purity and beauty.

Celebrating stainless steel in the Bauhaus tradition, the tubular chrome-framed Jot chair takes its swooping, balletic form into the contemporary era with a new version purified of any paint or dye that would hide the essence of its powerful metal and rawhide leather elements.