In medieval theory the Hypolydian mode was described either as (1) the diatonic octave species from C to the C an octave higher, divided at the final F (C–D–E–F + F–G–A–B–C) or (2) a mode with F as final and an ambitus from the C below the final to the D above it.

Aug 9, 2015 · Mode 5 (authentic), the Lydian Mode 6 (plagal), the Hypolydian Authentic Lydian is major with augmented 4th, having its tonic based on F of the diatonic scale. Its dominant is again the 5th (C), as you can hear Lycourgos Angelopoulos shredding that note.

The meaning of HYPOLYDIAN MODE is an ancient Greek mode represented on the white keys of the piano by a descending diatonic scale from F to F.

Hypolydian mode, in music, sixth of the eight medieval church modes. See church.

Boethius, in his description of ancient Greek usage, stated that the hypolydian mode was a musical scale which would be represented in modern form as the octave-species from F to F, in ascending order thus ("t" = whole-tone, "s" = semitone):

The Hypolydian mode, literally meaning "below Lydian", is the common name for the sixth of the eight church modes of medieval music theory. The name is taken from Ptolemy of Alexandria's term for one of his seven tonoi, or transposition keys. This mode is the plagal counterpart of the authentic fifth mode.

Dorian and Hypodorian modes correspond to the element water (cool and moist) and govern the Phlegmatic humor. These modes lead to sleepiness, lethargy, laziness, slowness, mental dullness, and forgetfulness, but also tend to calm the …

Ionian Mode. This is the same collection of notes as you get in the major scale. The easiest way to find it is to begin on C and play all the white notes on the piano until you get to the next C. The resulting pattern of intervals (T,T,St,T,T,T,St) creates the Ionian Mode.

Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, ... employs a scale (or "octave species") corresponding to the Greek Hypolydian mode inverted. In its diatonic genus, this is a scale descending from paramese to hypate hypaton: in the diatonic genus, a whole tone ...

The Hypolydian mode, literally meaning "below Lydian", is the common name for the sixth of the eight church modes of medieval music theory (Powers 2001b). The name is taken from Ptolemy of Alexandria's term for one of his seven tonoi, or transposition keys (Powers 2001a). This mode is the plagal counterpart of the authentic fifth mode.