Nov 3, 2023 · The doll, and by extension the mannequin or puppet, was a key image of the Dada movement, which Höch was introduced to by Raoul Haussmann, whom she met in 1915. In the uncertain and fractured times of the first half of the twentieth century, these humanoid objects could act as a distorting mirror to confront a modern and bourgeois society.

Dec 10, 2020 · Hannah Höch is a German artist connected to the Berlin branch of the Dada art movement. Dadaism started in 1916 at the Cabaret Voltaire in Zurich, Switzerland. However, Dadaists were active in cities like Berlin and New York as well. Höch was the only female artist of the Berlin Dada.

Dada Puppen (Dada Dolls) Höch's darkly playful Dada Dolls are quite distinct from any work created by the others in the Berlin group of Dada artists with which she was affiliated early on.

[31] Hoch created Dada Puppen (Dada Dolls) 1916. These dolls were influenced by Hugo Ball, the Zurich-based founder of Dada. The doll's costumes resembled the geometric forms of Ball's own costumes worn in seminal Dada performances. [19]

Jul 21, 2016 · (In 1975, Hannah Höch, age 85, poses with two Dada dolls.) Think about it: one hundred years ago, in 1916, two women were speaking truth to power, breaking down gender and racial stereotypes, and questioning why the world was rushing headlong into machine automation over human veneration.

However, Dada Dolls, created in 1916 suggests that Höch began making Dada art at the inception of the movement.

Mar 7, 2022 · During her Dada period, she created and displayed stuffed dolls with accentuated and abstracted features that were nonetheless plainly recognized as feminine. In the late 1920s, she incorporated advertisements for famous children’s dolls in numerous distressing photomontages, such as Love (1926) and the Master (1925).

Feb 13, 2024 · As the only female artist associated with the pioneering Dada group in Germany Hoch was a trailblazer, combining revolutionary photomontage techniques with politically subversive content.

As the sole female member of the German Dada group (George Grosz, Raoul Hausmann, Johannes Bader, Richard Huelsenbeck and John Heartfield), Höch was an early pioneer of photomontage, the format she utilized to voice her criticisms of the Weimar German Government and to champion women’s rights.

Hannah Höch with her Dada Dolls (Dada Puppen) in Berlin, 1920. Silver gelatin print from glass negative. 16.8 × 12 cm. Berlinische Galerie, Berlin, Germany. bpk Bildagentur / Berlinische Galerie, Berlin, Germany / Anja Witt / Art Resource, NY