Robert Gober (born September 12, 1954) is an American sculptor. His work is often related to domestic and familiar objects such as sinks, doors, and legs. [1]

Since the early 1980s, Robert Gober has produced paradoxical sculptures that seem to embody qualities of both hand-made and machine-made objects at the same time. His works are often replicas of items found in everyday life - bags of cat litter, cans of paint, kitchen sinks, urinals - but his deliberate fabrication techniques transform these ...

Nov 5, 2021 · Since the 1970s Robert Gober has been exploring sexuality, religion, and politics in meticulously handcrafted work. Early in his career The New York Times described his sculptures as “minimal forms with maximum content.”

Robert Gober, American sculptor and installation artist known for his eerie and evocative reconsiderations of everyday objects. His common motifs included the human body and domestic objects, with which he examined, often with humor, such …

Robert Gober (born September 12, 1954) is an American sculptor. His work is often related to domestic and familiar objects such as sinks, doors, and legs.

Robert Gober’s untitled sculpture encapsulates the same mix of the familiar and the strange, the organic and the manmade that has been a hallmark of the artist's three-dimensional works since the mid-1980s.

Sep 12, 2005 · Robert Gober; Untitled, 2000–01 Robert Gober; Untitled, 1993-1994, 1993–94 Robert Gober; Untitled, 1992 Robert Gober; Page secondary navigation. See all 16 artworks Related Content. Video A curious portal in the wall | Thomas Huston | …

“A Master’s Domestic Surrealism: Robert Gober’s Art of the Commonplace Is a Good Fit Now.” The New York Times, p. C4, ill. Following the ancient tradition of death masks that preserve the memory of the departed, Gober created Death Mask in …

Oct 4, 2014 · The Heart Is Not a Metaphor is the first large-scale survey of Robert Gober’s career to take place in the United States. Gober (American, b. 1954) rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation.

Since the 1970s Robert Gober has been exploring sexuality, religion and politics in meticulously handcrafted work. Early in his career The New York Times described his sculptures as, “minimal forms with maximum content.”