The Arri 765 is a 65 mm camera with a 5-perforation pull-down mechanism. The mirror reflex shutter is manually adjustable between 180° and 15° and has a diameter of 200 mm. The camera can record between 2 and 100 fps, the motors can run both in forward and reverse mode.

Experience true cinematic grandeur with the ARRIFLEX 765, ARRI Rental's exclusive 65 mm film camera. The ultimate in analog image quality. Click to learn more!

The ARRIFLEX 765 represents the world ́s leading camera concept for 65 mm cinematography. This camera system was specifically designed for the user ergonomics of popular 35 mm motion picture cameras. It features a noise level under 25 dBA, full reflex mirror viewing, and a maximum operating speed of 100 fps.

Apr 5, 2020 · The ARRIFLEX 765 is a 65 mm movie camera created by ARRI in 1989 after 6 years of development. The goal was to design a 65 mm movie camera, which had low noise capabilities to fit sync-sound productions and had a similar ergonomic to 35 mm cameras, to answer the growing demand for large format cinematography.

Also, a 765 weighs 70 pounds with a 500 foot magazine (about 4.5 minutes of film) and no lens. You’ll need a full camera department to operate it. At that point, might as well rent the camera from Arri or PV because it’s only a small part of the expense and …

The test sequence was shot on Kodak VISION3 65mm 200T Colour Negative Film stock with an ARRIFLEX 765 on ARRI Rental Vintage 765 lenses. The 65mm camera was created by ARRI in 1986 by Otto Blaschek and is known for its use on feature films …

Even the exterior of the 765 is hardly different from a 35mm camera. Director/cameraman Siegfried Steiner proposed to BMW to shoot the exhibition film in the 70mm-format. The advantages were quite obvious: More light-output, a sharper image, larger screen, etc. The automobile manufacturer agreed enthusiastically.

Compact dimensions, lighter weight, and compatibility with lighter support systems make the ARRIFLEX 765 a truly mobile 65 mm system.

8 Movies Shot On ARRIFLEX 765 Camera - Poor Things, Tenet, No Time to Die, Shutter Island, The Hateful Eight, Gravity, Far and Away, Unknown

The ARRIFLEX 765 arrived 90 years later—in 1989. It was silent, sync sound, 2–100 fps, with an adjustable, motorized mirror shutter, and a separate motor for the camera movement, synchronized electronically to reduce noise — something unheard of at the time.