Michelle Kuo: The NFT craze—which erupted with the $69.3 million sale of the artist Beeple’s Everydays: The First 5,000 Days last month at Christie’s—clearly touches a huge nerve within the art world, ...

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

Director, Glenn Lowry: In her earlier performance, Rhythm 0, Abramović surrendered complete control to her audience as she stood impassively, next to a table with objects that they could use on her as ...

Leah Dickerman: These "White Paintings" may not be prepossessing, but they're among the most radical statements about painting made in the middle of the 20th century. They are blank canvases stretched ...

Curator, T. Lax: Before you is a zine made by the artist, Kandiss Williams, who runs Cassandra Press in Los Angeles. It's a reprint of the essay "Venus in Two Acts" written by cultural historian ...

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MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...

One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...

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GLENN LOWRY: To explore the concept of deriving energy from her audience, Abramović and her partner, Ulay, performed Relation in Time. MARINA ABRAMOVIĆ: We wanted to start this piece without public.

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MARINA ABRAMOVIĆ: When we was Australian desert and living with the Aborigines, we was looking to this report of astronauts who said that only construction who can be seen from moon, human-made, is ...