Throughout the Sharjah Biennial, works are described using overwrought, often politicized language, and the grandiloquent framing can, cumulatively, have a flattening effect.

But in the pantheon of American art, Atlanta has its own under-the-radar masterwork: Hale Aspacio Woodruff’s epic six-part mural “The Art of the Negro” which has hung for six decades in the Trevor ...

Amid the destruction of Gaza, artist Maisara Baroud turned to paper and ink to document the genocide, capturing the pain, ...