Disclaimer: This script is machine generated, editorial revision is advised.It's a very good events player has won it. It was very well, very well organised with the SDAT and the government and the ...
Tamil Nadu Deputy Chief Minister Udhayanidhi Stalin on Wednesday presided over a meeting held at the Villupuram Collectorate to review the progress of various welfare schemes and projects being ...
Villupuram: Tamil Nadu has the highest percentage of working women (43%) compared to other states in the country, deputy chief minister Udhayanidhi Stalin said on Tuesday. Udhayanidhi, who is on a ...
Deputy Chief Minister Udhayanidhi Stalin laid foundation stone for two projects estimated at ₹28.26 crore in Thanjavur district on Thursday. While the buildings were to come up at an estimated ...
VILLUPURAM: Deputy chief minister Udhayanidhi Stalin on Tuesday distributed "Kalaingar Free Sports Kit" to over 500 youngsters from Villupuram, as part of the Kalaingar Centenary celebrations.
Tamil Nadu Deputy Chief Minister Udhayanidhi Stalin indirectly warned actor-turned-politician Vijay that only his party will win the state assembly elections in 2026, no matter where the opposition ...
During his visit to Villupuram district, Udhayanidhi Stalin highlighted the state's leading position with the highest percentage of working women in India. He emphasized the govt's commitment to ...
Tamil Nadu Deputy Chief Minister Udhayanidhi Stalin, who hit the headlines over his ‘Sanatan Dharma’ remarks, has stoked a controversy by comparing the film industries in South and North India. Stalin ...
Tamil Nadu Deputy Chief Minister Udhyanidhi Stalin on Thursday said that the people of Tamil Nadu will give a befitting reply to the people, who are criticsing the DMK, in the 2026 assembly polls.
Following actor Vijay’s recent remarks criticizing the DMK at the first state conference of his Tamilaga Vetrikazham party, Tamil Nadu’s Deputy Chief Minister, Udhayanidhi Stalin, delivered a pointed ...
Udhayanidhi Stalin’s acerbic comment about Bollywood overshadowing other language cinemas in the North extends the age-old argument about linguistic autonomy and cultural identity to the visual arena.