Using this same template, I’d now like to offer some examples of ways to apply rootless dominant 9th chord arpeggios over the progression’s I, IV and V chords, A7, D7 and E7.

Step 2: The minor ninth is known as an extended chord, as it uses notes that fall outside the octave range we usually pick notes from.If the G in our C minor chord is the fifth, we need to add two ...

Number each note, or ‘degree’ of the scale from 1 to 15, giving us a way of naming chords that can be built from these notes. Build a dominant C7 chord by playing a C major triad consisting of 1(C), 3 ...