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The top three notes give us the b9th (Eb), the 3rd (F#) and the 13th (B). This Gmaj9 gives a nice finishing chord, meaning ...
Over a G# bass note, this voicing would also make a very nice G#min9 chord, which is the relative minor key. Using the CAGED Cmaj7 shape, here is yet another voicing of Bmaj7, with the root on the ...
For example, in A harmonic minor there are no sharps or flats other than the raised seventh of G#. There are two kinds ... substituted with an augmented chord.This gave the tonic-dominant a ...
Taking a theoretically identical chord and juggling its notes can give ... This version of Amaj7 has the maj7 (G#) as the ...