Steven Soderbergh's 'Presence' is a ghost story where the audience is the ghost
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,
Soderbergh talks to IndieWire about "Jaws," his 15-year project to write a book about directing, and working to get his ...
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...
Soderbergh didn’t capitalize on his success. Through most of the ’90s, he directed movies more suited to the arthouse than the cineplex. And in 1996, he was in Baton Rouge again, directing a play for ...
Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.
Steven Soderbergh’s new chiller takes place in one of the most troubled of all movie locations: an outwardly normal family ...
By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty ...
If this is the best Steven Soderbergh's got for a smaller canvas, then I’d like to see him get back to making major-studio ...
The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...
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